1598-1664 Spanish Francisco de Zurbaran Galleries Spanish baroque painter, active mainly at Llerena, Madrid, and Seville. He worked mostly for ecclesiastical patrons. His early paintings, including Crucifixion (1627; Art Inst., Chicago), St. Michael (Metropolitan Mus.), and St. Francis (City Art Museum, St. Louis), often suggest the austere simplicity of wooden sculpture. The figures, placed close to the picture surface, are strongly modeled in dramatic light against dark backgrounds, indicating the influence of Caravaggio. They were clearly painted as altarpieces or devotional objects. In the 1630s the realistic style seen in his famous Apotheosis of St. Thomas Aquinas (1631; Seville) yields to a more mystical expression in works such as the Adoration of the Shepherds (1638; Grenoble); in this decade he was influenced by Ribera figural types and rapid brushwork. While in Seville, Zurbur??n was clearly influenced by Velazquez. After c.1640 the simple power of Zurbaran work lessened as Murillo influence on his painting increased (e.g., Virgin and Child with St. John, Fine Arts Gall., San Diego, Calif.). There are works by Zurbar??n in the Hispanic Society of America, New York City; the National Gallery, Washington, D.C.; and the Philadelphia Museum of Art..  Related Paintings of Francisco de Zurbaran :. | Apotheose des Hl. Thomas von Aquin | Agnus Dei | St Margaret | death of st. buenaventura | Appolonia |
Related Artists:
RING, Pieter de
Dutch Baroque Era Painter, ca.1615-1660
PLEYDENWURFF, Hans
German Northern Renaissance Painter, 1420-1472
Nicolaes van Helt Stockade
(1614-1669), was a Dutch Golden Age painterAccording to Houbraken, Joost van den Vondel made a poem about him. According to the RKD he became a master in the Antwerp Guild of Saint Luke in 1646 and worked on the city hall of Nijmegen and the Amsterdam City Hall.